The Turin-Milan Hours, which was partially destroyed by a fire in 1904, is an illuminated manuscript and book of hours. It was begun in the late fourteenth century and was completed in various stages. At times in the possession of Jean, Duc de Berry and eventually John III Duke of Bavaria (Count of Holland), the Turin and Milan Hours was worked on by a number of different artists and was originally thought to be two separate volumes. Several miniatures completed in the latter stages of the work, probably around 1420, are credited to an artist called “Hand G”.
Hand G (Jan Van Eyck), The Birth of John the Baptist (above) and the Baptism of Christ below, The Turin-Milan Hours (also Les Très Belles Heures de Notre Dame de Jean de Berry), illumination on parchment, circa 1420, Museo Civico d’Arte Antica di Torino
Hand G (Jan Van Eyck), illumination on parchment, 28 × 19 cm (11 × 7.5 in), circa 1420, Biblioteca Nazionale Universitaria di Torino, destroyed by fire
This is most likely the Van Eyck brothers, Jan and Hubert, legendary, especially Jan Van Eyck, for revolutionizing painting in Europe in the fifteenth century. The parts of the manuscript attributed to them are widely regarded as the most masterful and interesting.
Jan Van Eyck, Self-portrait?, oil on panel, 26 × 19 cm (10.2 × 7.5 in), 1433, National Gallery of Art, Washington
Hubert van Eyck (1366–1426) by Edme de Boulonois, Illustration from a book by Isaac Bullart, Académie des Sciences et des Arts…, 1682
The Turin National University Library, partially destroyed by fire in 1904 and subsequently bombed in 1942, photo 2008 by Claudio Cavallero.
It was reported that an electrical fire in the Turin National University Library was responsible for the destruction of the portions of the Turin-Milan Hours that were kept there and along with it around 100,000 volumes and other priceless manuscripts. Fortunately, photographic reproductions of the destroyed parts remain intact.
Books about Jan Van Eyck…